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Exhibition shows Henry van de Velde and his networks

The Villa Esche in Chemnitz was once the first architectural commission for Henry van de Velde in Germany / Photo: Hendrik Schmidt/dpa
The Villa Esche in Chemnitz was once the first architectural commission for Henry van de Velde in Germany / Photo: Hendrik Schmidt/dpa

A Belgian in Chemnitz: on the way to the Capital of Culture year, a new exhibition highlights the work of designer Henry van de Velde. One of his complete works of art can be seen in the city.

As an architect, artist and teacher, Henry van de Velde was not only a pioneer of the Bauhaus, but also one of the most important representatives of Art Nouveau in Europe. He also left visible traces in Central Germany outside Weimar - for example with Villa Esche in Chemnitz and Haus Schulenburg in Gera. On the way to the Capital of Culture year 2025, the Kunstsammlungen Chemnitz are now putting the Belgian and his work at the center of a new exhibition - and placing his works in the context of the European reform art movement of his time.

An architectural monument of European standing

The museum has long had a branch in the Villa Esche, which was built according to van de Velde's plans in 1902/1903 on a hill in the south of Chemnitz for a wealthy textile manufacturer as a complete work of art. The house is considered an architectural monument of European standing, but was not the only building that van de Velde created in the city. It also includes another villa and a representative house for a tennis club, which no longer exists.

The new exhibition "Reform of Life & Henry van de Velde in the midst of it all" aims to show the cultural network in which van de Velde (1863-1957) moved at the time, explained Director General Florence Thurmes. The presentation shows the influences of the English Arts and Crafts movement and William Morris on his work. It also looks at van de Velde's work at the Weimar School of Arts and Crafts, his work as co-initiator of the Werkbund and as founder of La Cambre in Brussels and his influence on the later Hochschule für Gestaltung in Ulm.

More than 250 exhibits on display

According to the information provided, more than 250 exhibits are on display, not only by Henry van de Velde himself, but also by other artists such as Marianne Brandt, Otti Berger, Max Bill and Richard Riemerschmid: from furniture and textiles to individual pieces such as a cake server, a cookie tin and a table lamp to the Ulm stool and the TC100 tableware. "The example of Henry van de Velde and the people surrounding him is a wonderful way to trace the development of what we call product design today," emphasized curator Anika Reineke.

The show at the Kunstsammlungen am Theaterplatz and Villa Esche opens on Saturday and will be on display until the beginning of March; the exhibition section at Villa Esche will be on display until the end of 2025. The exhibition will be accompanied by lectures, for example on van de Velde's former Chemnitz Lawn Tennis Club and guided tours of Villa Koerner, which he also created in Chemnitz.

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